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George Crumb - Black Angels (1970) for string quartet and elctronic
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George Crumb - Black Angels (1970) for string quartet and elctronic

George Crumb (*1929): Black Angels (1970) Thirteen images from the dark land für verstärktes Streichquartett I. Departure Threnody I: Night of the Electric Insects (tutti) Sounds of Bones and Flutes (trio) Lost Bells (duo) Devil-music (solo) Danse Macabre (duo) II. Absence Pavana Lachrymae (trio) Threnody II: Black Angels! (tutti) Sarabanda de la Muerte Oscura (trio) Lost Bells (Echo) (duo) III. Return God-music (solo) Ancient Voices (duo) Ancient Voices (Echo) (trio) Threnody III: Night of the Electric Insects (tutti) Sungkum Yang, Violine 1 Karin Nakayama, Violine 2 Kyungwon Lee, Vilola Garwyn Linnel, Violoncello Lukas Tobiassen; Klangregie 28.01.2017 in Neue Aula, Folkwang Universität der Künste, Essen, Germany Black Angels (Edition Peters, New York, no. 66304, copyright 1971), subtitled "Thirteen Images from the Dark Land", is a work for "electric string quartet" by the American avant-garde composer George Crumb. It was composed over the course of a year and is dated "Friday the Thirteenth, March 1970 (in tempore belli)" as written on the score.[1] The Latin phrase in tempore belli, in time of war, written into the score by Crumb is a reference to the Vietnam War taking place at the time when Black Angels was composed. Crumb numerically structured the piece around 13 and 7, as numbers traditionally related to fate and destiny. The piece is notable for its unconventional instrumentation, which calls for electric string instruments, crystal glasses, and two suspended tam-tam gongs. The work references the second movement, Andante con moto from Schubert’s "Death and the Maiden" String Quartet.